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天联合发表「豆浆白皮书」指南,戳破不少网络谣言,
像是市售包装冷藏豆浆全靠超高温瞬时灭菌,才能放这麽久不坏。粉泡的吧?
一连串食安风暴过后,民众对食品安全要求更高,日前网络上就热议不少关于包装豆浆的质疑。 1.由浅入深,章

预计发行日期:2013 年3月8日

惊天之争, 中国大陆民众来台自由行即将开放,花莲县卫生局特别针对饭店、旅馆和民宿业展开食宿卫生稽查行动,希望能提供自由行陆客一个安全卫生的旅游环境。


花莲县卫生局长徐祥明今天率领卫生稽查人员展开饭店、旅馆和民宿业食宿卫生总体检行动,详细检查客房清洁、盥洗设备消毒、餐饮卫生、游泳池水质、病媒蚊防治、从业人员健康、自主卫生管理等项 哈囉,夏天到了,最近淀粉麵粉类的食材让人感到不安全。
这边特别分享一个营养健康的食谱,来用一些新鲜的食材做料理吧!


春风轻吐花香
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。xit.jpg"   border="0" />



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电,狱天玄皇功体受激,沸起双佛气旋,同时寰无疆快拳力压,隐有电光疾闪,荒初禁赦亦尽展睥睨之姿;另一方,三骄战首对上暗界穹魁,力与力的拼斗,强对强的震撼,彻盪风云!

连波压迫,暮成雪横心参战,超轶主、一路禅面对追亡狩三人与凤麟君,情势未战已危。 最近看了一篇中国好好玩的文章
1dReBcy
语言相通这点
应该是去中国旅游很重要的一个理由吧
不管是饮食、文化习惯都蛮相似的
所以是很好入门的行程

加上中国的风景名胜多,各种地形or古蹟建筑都超多
旅游难度要简单的可以去大城市
壮游也有各种高山边疆可以挑时情份,012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,ge/common/thankall.gif" align="absmiddle" title="被感谢次数
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4.衣服和丈夫一样,适合自己的就是最好的。

Strunk's Elements of Style
William Strunk(191

中午去买便当,我遇到了一件令我不得不申张正义的事...



video/w0960369256&func=single&vid=5578057
那青蛙不会死吗= ="

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